
If you know my work you probably also know I photograph a lot of kids in my commercial work. You can’t ask for better subjects. Kids are, well – real. Sincere and pure emotion. Raw life in the moment. Either you create great shots that capture their essence – or they skipped a nap and you get what you get. (More likely you go to the backup model kid – cold as it may seem . . . . ) And if you know me you understand that I like working with kids. Ok, I have patience too. So here’s the funny thing. All this has gradually led me to also do a whole other kind of photography work as well. Not commercial, but certainly drawing on that for my “look” I also now have a business working with families creating a different kind of portrait.
More like the stuff I shoot for tourism accounts or insurance ads – very active but clean lifestyle imagery. I get commissioned by discerning families to photograph them in “my” way at their homes, on vacation, the boat, etc always trying to capture more “real” images than posed. I also built a pretty impressive studio and gallery to not only photograph in but to display all the print options. Pretty cool stuff. I call this business Big Fish Studios and have a dedicated website and a brand new Facebook Fan Page for it. I really enjoy it. It’s a very nice fit with my ad photography. And much more personal too. It’s very relationship based and after living in the same town for 15 years, I finally feel more a part of it. But the amazing thing is the new life it’s breathing into my commercial work. Working with real kids – not model kids – has forced me to develop quick, pure and simple approaches to get the images I’m looking for. I was always a KISS (keep it simple stupid) kind of photographer anyway. This is reinforcing that approach. No lighting. Not even reflectors. Just working with what each situation offers. Reminds me of my early work when I’d run off to some country for weeks at a time – or shoot on the fly for Newsweek Magazine. Just cleaner. It’s making me a better photographer too. No crews or extensive gear on most shoots – just me. Almost like personal work at times.
It has taken some time to shoot a whole new portfolio for that business as well as learn about the fine art display options, working with the public and more. Very exciting. I’ve even been referred by some of my family / child work to commercial jobs. Now that is weird – but in a good way! So, I’ll try to not mix my audiences too much with blog posts etc but I just had to share at least this much . . . Change is good. Or, as my friend creative consultant Ian Summers says “Grow or Die”.
















